Anthropology; Film Industries; Modularity,

Year

2021

Publisher

Duke University Press

Type

BOOK

Description

From Bangladesh and Hong Kong to Iran and South Africa, film industries around the world are rapidly growing at a time when new digital technologies are fundamentally changing how films are made and viewed. Larger film industries like Bollywood and Nollywood aim to attain Hollywood's audience and profitability, while smaller, less commercial, and often state-funded enterprises support various cultural and political projects. The contributors to Anthropology, Film Industries, Modularity take an ethnographic and comparative approach to capturing the diversity and growth of global film industries. They outline how modularity—the specialized filmmaking tasks that collectively produce a film—operates as a key feature in every film industry, independent of local context. Whether they are examining the process of dubbing Hollywood films into Hindi, virtual reality filmmaking in South Africa, or on-location shooting in Yemen, the contributors' anthropological methodology brings into relief the universal practices and the local contingencies and deeper cultural realities of film production. Contributors. Steven C. Caton, Jessica Dickson, Kevin Dwyer, Tejaswini Ganti, Lotte Hoek, Amrita Ibrahim, Sylvia J. Martin, Ramyar D. Rossoukh

Authority to Issue Interoperability Policy,

Government Consolidation and Economic Development in Allegheny County and the City of Pittsburgh

Global University Rankings and the Politics of Knowledge

August Strindberg: The Occult Diary, Paris 1896 � Stockholm 1908

Arbeitsmarkt und Besch�ftigung: Deutschland im internationalen Vergleich.,

Der Philosoph und sein Bild